The coffee shop. (1846-1849)

Technique: Giclée quality print
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More about this artwork

David Roberts' evocative painting "The Coffee Shop," created between 1846 and 1849, offers a detailed glimpse into the daily life and social dynamics of a Middle Eastern coffee shop in the mid-19th century. This captivating artwork is characterized by its vibrant depiction of communal interaction and architectural beauty.In "The Coffee Shop," Roberts portrays a lively scene set under the arches of an elegantly constructed building. The shaded portico provides relief and a communal space for the patrons, who are shown engaging in various activities. Men in traditional attire, including turbans and flowing robes, gather around small tables, some seated on chairs, while others sit directly on the ground, indicating a casual, inclusive setting.The focal point is undoubtedly the central group where coffee and possibly other refreshments are being served or consumed. A standing figure appears to be conversing or ordering from a vendor, who is handling what seem to be cups or utensils. Nearby, another group is absorbed in conversation, highlighting the coffee house as a social hub.Additional details enrich the scene further; a person leans against the fountain at the center, perhaps a subtle nod to the coffee shop as a place of respite and refreshment. In the foreground, other individuals engage in discussions or enjoy solitary moments, suggestive of the coffee shop's role in fostering both community ties and personal reflection.David Roberts' fine attention to detail, from the architectural elements to the varied postures and expressions of the figures, invites viewers to step into a world where the coffee shop serves as a microcosm of larger societal interactions.

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David Roberts (24 October 1796 – 25 November 1864) was a distinguished Scottish painter whose work significantly influenced the art world of the 19th century. Renowned for his focus on architectural and landscape scenes, Roberts was drawn to historical and exotic places, which he depicted with remarkable accuracy and attention to detail.

He is most famous for his acclaimed series, The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia. This body of work comprises intricate lithograph prints derived from sketches he produced during his journeys through Egypt and the Near East from 1838 to 1840. The series is notable for its meticulous representations of ancient ruins, lively markets, and expansive panoramas, providing a vivid visual documentation of the region during that period.

At the time, both his travels and the works that resulted from them were pioneering, as few Western artists had explored the Middle East and North Africa so extensively. Through Roberts’ images, Europeans gained rare insight into these far-off regions, which helped ignite widespread fascination with Orientalist art and culture. His meticulous approach to architectural representation inspired in his contemporaries a new sense of awe regarding the ancient world.

David Roberts was made a Royal Academician in 1841 in recognition of his achievements, further solidifying his standing within the British art community. His lithographs and paintings continue to be highly valued by collectors and museums today, celebrated both for their craftsmanship and their historical importance.