Construction Slaves (1922)

Alfred Ost, a distinguished Belgian painter, was acclaimed for both his artistic versatility and his significant accomplishments. Born in Zwijndrecht, Belgium, in 1884, Ost rose to prominence within the European art world of the early 20th century. At the 1920 Olympic Games, he was awarded a bronze medal in the art competition for his remarkable painting "The Footballer" (Joueur de Football). This event was noteworthy as it signaled the inclusion of arts disciplines such as painting, architecture, literature, music, and sculpture in the Olympic Games.

Ost's art was recognized for its expressive use of color and line, frequently drawing on themes from religious traditions as well as everyday life. His body of work spanned various styles—from Symbolism to Expressionism—demonstrating both classical training and the influence of modern movements. Over the course of his career, he exhibited extensively and earned respect for his contributions to both gallery and public art, securing a lasting influence on Belgian cultural life.

Alfred faced great adversity during the Second World War, enduring severe shortages that at times left him without basic necessities such as food. Yet, he persevered with support from Jesuit priests at Xavier College in Antwerp, who provided him sustenance in return for the religious art he created. This arrangement showed how his artistic abilities sustained him even through the most difficult chapters of his life.

Impressed by his skill, the Jesuits gave Ost the task of painting murals throughout their school. These expansive artworks depicted the life of Francis Xavier, the Jesuit order’s patron saint and the namesake of the college. Making use of charcoal and charcoal sticks due to wartime shortages, Ost completed these murals with ingenuity. Safeguarded by a protective coating, these evocative and original creations continue to be counted among Xavier College’s most treasured pieces of art.